Archives for category: critical thinking

IMG_1778It’s never too early to encourage students to begin thinking about careers that interest them. This simple, yet powerful art experience called “Career Cubes” is a fun way to do just that, while incorporating critical thinking, writing and even a little research if you desire.

You will need the following materials: Light-weight cardboard — used file folders work great here, masking tape, construction paper scraps, scissors, glue, color pencils, crayons, and markers. Additionally, things like yarn or string, staplers, brads, and discard magazines could also be included.

Each child will need 6 light-weight cardboard squares. They can be any size, but I’ve found 4 inches by 4 inches to be a nice, workable surface. Depending on the age and ability level of your students, measuring and cutting out their 6 squares can be great math practice. You could also provide a template for tracing, or you could provide the squares to them already cut out. (The more carefully the squares are measured and cut, the better the resulting cube will fit together.)

The reason 6 individual squares are used, rather than a “cube pattern”, is that the separate squares provide a more challenging set of 6 individual compositions, and a more interesting approach to cube construction.

I would suggest deciding ahead of time what your expectations are for each side of the career cubes. (Your specific requirements for your students will vary greatly based upon the age and ability levels of your students, but even for the very young, I would be sure you have some sort of guidelines established for them.) For example, if your students are older, you might require the following: One side devoted to “naming” the career, three sides will be visual representations of that career, one side will be a written statement about why the student has chosen that career — or is interested in that career — and one side devoted to some basic research on the career such as schooling required, etc., for a total of six sides.

Before handing out the first square, encourage discussion and brainstorming about what types of careers your students are interested in. Talk with them about how different careers could be visually represented… for example, what sort of symbols might one make if they wanted to become an architect? A nurse? Make a list if you like of the many possibilities your students come up with. After you feel your students have been sufficiently motivated, concentrating on only one square at a time, have your students begin the process of surface decoration. Depending on your available art supplies, the squares could be decorated with a variety of materials, or you might limit them to just using cut and/or torn construction paper. The choice is yours. If you decide to require a written component, you might like students to write in their own best handwriting, or perhaps you’d like them to write and compose something on the computer that they can attach to one square. Depending on your schedule, you might have students work on this in one, uninterrupted block of time, or perhaps you might break the process into smaller, shorter work sessions. (Squares, along with bits and pieces, can be easily stored in ziplock bags while in progress.) Lots of options here to make this work for your students, your curricular objectives, and your time frame.

When all 6 sides of a student’s career cube are complete, the cube can be constructed. First, lay out four sides. Be sure to leave a small amount of space between squares to serve as a “hinge”, and tape with masking tape like this:

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IMG_1780Then attach the remaining two sides to the four you just taped like this:

IMG_1782Now bring all sides together to form a cube and tape securely.

IMG_1785Masking tape used neatly on the “outside” of the cube is fine and can become part of the surface decoration. Once complete, each student will have created a unique, concrete representation of his or her desired career choice. Career cubes are fun displayed individually on student desks, stacked up as a group, or can even be hung from the ceiling if you are clever. Your students will love not only making them, but looking at them as well!

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OLYMPUS DIGITAL CAMERALooking for a unique and creative way to celebrate Earth Day with your students this year? Allow me to suggest Earth Day hats! (Pictured above is a basic, undecorated scored paper hat shown from the side/back.)

The idea here is to have each student in your class create a hat, and then decorate it using Earth Day as the theme. While the basic hat shapes will be the same, each child’s surface decoration will be distinct and unique, making each hat a personal statement about how that child feels about protecting and celebrating the earth.

You will need one sheet of 18X24 inch construction paper for each child in your class — color choice is up to you. You will also need a stapler, any type of glue, scissors, and lots and lots of discard materials for the students to choose from. This could be anything from a scrap paper box, to things like, ribbon, buttons, cotton balls, tooth picks, fabric, feathers, tissue paper, brads, yarn, pipe cleaners, glitter, etc. This art experience is the perfect time to use up a variety of random things you have on hand, and to recycle old things into something fresh, fun, and new!

To make a basic hat, just make one simple scored line in a half circle shape on the long side of a sheet of 18X24 inch construction paper. (See diagram below.) If you’ve never scored paper before, you will simply drag the pointy end of a pair of scissors — or even the tip of a paper clip that’s been bent open will do — gently across the paper. This “scored” line that you’ve just created will allow you to then fold the paper along this curved line. (Scoring as a technique is amazing! Once you start exploring it, you’ll be hooked!) Attach points A and B together with a staple, and you’re done. Super simple! (In the photo at the top of this post, you can see this stapled connection point at the back of the hat.) If you’re working with very young students, it might be a good idea to have the hats made ahead of time for them so that they are all ready to be decorated. Scoring takes a little bit of practice so as not to cut through the paper while you’re doing it, but after a few tries, you will learn what amount of pressure is just right.

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If Earth Day is going to be your theme for hat decoration, it might be a good idea to spend some time talking with your students about all of the different ways they could decorate their hats to show how they feel about protecting and celebrating the earth. They could cut out letters to include words on their hats, they could cut out, or tear out, and create symbols to place on their hats (think earth, sun, clouds, water, plants), they could add fun, three dimensional things to their hats such as paper streamers, ribbons, and more. (I would strongly suggest that you not use drawing materials such as markers, crayons, or pencils for hat decoration, as drawings tend to lack the excitement and involvement that other types of surface decoration provide.) Perhaps this brainstorming could be captured as a list that the students could refer back to while they work?

By this time, your students will be highly motivated to get started creating their hat masterpieces, so there is little left to do beyond getting their hats and materials distributed to them. They will have a blast making something that is such a personal statement, and the fact that they will be able to wear them when they’re complete just sweetens the deal. (I’m envisioning a photo op in here somewhere!) Have fun with this, and I’d love to hear how it goes if you decide to try it! (Pictured below is a basic, undecorated scored paper hat from the front.)

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DSC01110As a teacher of professional development art courses for the past 17 years, I’ve noticed one consistent truth: teachers are reluctant to teach art because they are afraid. Afraid that to effectively teach art, they must “perform” artistically in some way for their students. They repeatedly tell me things like, “I can’t draw” and “I’m not an artist”. My message to them is twofold. First of all, experience has shown me that everyone is creative to some degree — we all just have different levels of art experience and exposure. Secondly, and perhaps most importantly, a teacher doesn’t need to be a trained artist, or to be able to draw, in order to present successful, meaningful, and powerful art lessons in their classroom. In fact, I would argue that the most important thing a teacher needs to be when teaching art, is what I would call a “monitor/motivator”, and one of the most profound phrases in the motivator’s toolkit is, “take another look”.

Just as adults can be intimidated by art, so too are the students we teach. It’s no surprise that the higher up in grade level one looks, the more fear and trepidation one will see in the students. This is where the power of the “monitor/motivator” role comes in. By closely monitoring your students as they work on any given art experience, you will be able to support and motivate them as needed, helping to build their confidence. Actively move around the room offering constructive, encouraging words and comments while you closely look at what they are working to create. When students ask for help and want you to solve an art problem for them, resist the urge to do so and suggest that they “take another look”. Ask questions that will encourage their thinking and analysis of their own work, and of the problem at hand. This is critical thinking made manifest.

Because of a limited exposure to art among other things, students often think they are finished with an art making experience long before they really are. This is the crucial point where you can acknowledge what they’ve already accomplished by saying something like, “That’s a really great start!” and then offer the empowering questions, “What else can you do here? Take another look… what else can you explore?” This suggestion to “take another look” lets the student know that there is still more to see and to do, and that your expectation is that they will continue to search for it. You are challenging them to push past what might have been a quick, simple, and safe solution on their part, while letting them know that you have faith in their ability to go beyond it. As you consistently monitor and motivate your students during art experiences, you will see your students look to you for answers less and less, as they begin to trust themselves more and more.

As Maria Montessori once observed, “The children are now working as if I did not exist.” Helping your students develop into inquisitive, self-directed, life-long learners is possible, and connecting meaningful, authentic art experiences to your curriculum can foster this development. Please click here to see the affordable, convenient, and self-paced professional development art courses I teach through Fresno Pacific University. (* No art experience needed or required!)

IMG_1688In my last post, I talked about the importance of having images available to your students for use as visual references when having the real thing in front of them just isn’t possible or practical. Today I’d like to help four lucky people get started on the creation of their own image files by giving away some beautiful National Audubon Society field guide books. (These books are brand new and cost about $20 each.) Each of these books is full of gorgeous, full color photographs that will make excellent reference images for any artist. Each book is focused on a different subject group — one for reptiles & amphibians, one for mammals, another entitled fishes, and finally one for insects & spiders. The pages measure about 3.5 X 7.5 inches, so if you tear them out as I suggested in my blog post, they will fit neatly into a file folder for easy retrieval and distribution later.

If you’d like to receive one of these spectacular National Aububon Society field guides, just leave a comment on this blog post. The first 4 people to leave me a comment by Wednesday, February 20, 2013, by 5 p.m. (PST) will each get one free book. (Subject of the books vary and cannot be specified by the recipient. One comment/entry per person, please.)

And teachers… don’t forget that spring break will be here before you know it. Plan your professional development now by checking out my affordable and convenient art courses offered through Fresno Pacific University. Registration is always open for these distance learning courses — you can view all of my course listings here. No art experience? No Problem! My courses were written specifically with YOU in mind! Imagine yourself completing the units you need on your schedule, from the comfort of your own home. I’d love to see you in class!

IMG_1679For many of us, creating something is much easier with some sort of visual reference. Whether we’re making a drawing, a painting, or a sculpture, having something in front of us to look at helps us get the details right. It helps us with things like proportion, texture, pattern, and color. Here are a few easy suggestions that will help you establish a valuable set of image files that your students can use again and again when they need a visual reference. Why the need for such files you ask? Well, if one is drawing a rose, for example, it’s not too difficult to simply bring one into the classroom. The same holds true for any number of fruits, vegetables, and small objects. But what if your students are trying to draw or sculpt say, an elephant, or a particular type of fish? Not so easy. Enter the image file.

My suggestion to you is that you create a series of files filled with photographs that your students can reference as needed. I want to be very specific here about saying that your images files should contain only photographs — not drawings or paintings of things. The problem with using drawings or paintings of things as a reference is that someone else has already made all of the decisions about color, line, texture, etc. When you have your students work from photographs, they must decide how to interpret the “reality” of that photo into their work. This involves a tremendous amount of observation and problem solving skills that are essential to student growth and learning.

For my own classroom files, I purchased some very inexpensive books of photographs of whatever I was looking for. (Yard sales can be a fantastic source!) Because having an entire classroom of students share one book is not practical, I simply tore the pages out of the books I collected. (As a lover of books, this was kind of hard to do at first, but I persevered and it worked so well, I never looked back.) I used hanging file folders to store these now single sheets of photos, and labeled them by category such as, insects, fish, mammals, reptiles, birds, flowers, etc. (Often these photos also have an accompanying paragraph about whatever is in the photo, which I find to be a real bonus as far as student learning is concerned.) Once these files are established, it’s simply a matter of pulling them out when you need them. So for example, if you’re working on an art project that involves reptiles, you simply bring out the reptile file and you’re all set. If only one topic is being used, I simply spread out that file’s contents on a table for students to peruse. If we’re using multiple subjects, I place the files we’re using in a small hanging file container someplace where the students can look through them.

When I initially set up my image files, the internet was not something we had access to in classrooms. And while it might be tempting to let students search for images on the computer, I would advise against it. In my experience, students will make a selection from this type of photo file within a minute or two of looking over the photographs. How long do you imagine they might look on the internet…?

Trust me that after only a small initial investment of time and money on your part, you will end up with files that will serve you well for years. You won’t be able to imagine how you ever lived without them!

Need other ideas for great art experiences YOU can do in your classroom or with your homeschooled kids? Check out my affordable and convenient professional development courses here. You can register at any time for my distance learning classes, and best of all, you complete them on your schedule. I hope to “see” you in class soon!

IMG_1659What better way to show we love the earth, than by creating some gorgeous Valentine’s Day inspired art work that encourages recycling as well?! Enter “Giant Stuffed Paper Hearts”.

The materials for this spectacular art experience are outrageously simple. You will need butcher paper, “stuffing”, a stapler, any sort of decorative materials, glue, and string or fishing line. (If you have access to butcher paper in “Valentine” colors like pink, red, and purple, that’s great. If not, white and even black will work just as well.)

The idea here is that you are going to have your students cut giant — and I do mean giant — hearts out of butcher paper, decorate them, stuff them, and then hang them from the ceiling. (If your school won’t allow you to hang anything, these could just as easily be stapled to a wall where they will still look puffy and three dimensional.)

While you could use anything for the stuffing of the heart, this experience presents a perfect opportunity to talk about things like recycling, and campus beautification. If you are so inclined, you and your students might walk around the school yard collecting trash and bits of paper. (Gloves might be a good idea here.) Or maybe you could use paper from your own classroom that would normally be thrown in the trash? Newspapers collected from home work well here too. The point is, this art experience is tangible evidence that trash can be transformed again into something else — in this case, into something beautiful.

When cutting out their paper hearts, each child will need two hearts exactly alike, so you can show them how putting two pieces of paper together and cutting them out at the same time will accomplish this. (An alternative to this would be to have them cut out one giant heart, then trace that on to their second piece of butcher paper and then cut that one out.) Depending on how involved you want them to get, and on how you plan to display them, you can instruct your students to decorate only one side of one of their hearts, or one side of each of their hearts. I would really let them go wild here with lots and lots of different decorative materials. Things like paint, construction paper, tissue paper, crepe paper, glitter, lace, ribbons, yarn, buttons, cotton, etc. would all be super fun for the kids to work with. (Because the hearts are large, I would probably not put out any drawing tools for this one, as any drawing the children might do would tend to be small, and the surface decoration for these should really be bold and large.)

Once all surface decorations are finished and have been allowed to dry, place the two hearts together and begin stapling around the edge to connect them. (Staple at least one inch or so in from the edge.) Remember that if you had students decorate two sides, make sure each of those decorated sides face out, and that the plain sides are on the “inside”. After you’ve stapled about half way around the hearts, you may begin stuffing the heart with very loosely crumpled paper or trash. You want to keep these hearts very light, so there’s no need to stuff them full of tightly wadded paper. Use just enough lightly crumpled paper to “fill out” the heart and give it a puffy shape. Finish stapling the remainder of the edge to close the heart, and you’re done. The resulting hearts should be very light, so it will be easy to hang them from your ceiling if you choose to do so. Don’t worry about hanging them at the same height, because hanging them at different heights adds to the fun. You will be amazed at the magnificent display these create and your students will love them!

Share the love! If you decide to do this art experience with your students, I’d love to see the results. Email photos to me at JGomasFaison@gmail.com and with your permission I might even share some of your photos on this blog. Happy heart-making!

IMG_1649With February right around the corner, here is a simple and fun art lesson that will teach your students some important lessons about giving, and about the value of working together, all while challenging them to be creative.

The basic materials required for the Bouquet of Hearts lesson are things I’m sure you have on hand already such as, construction paper, glue, tape, staples, and scissors. For extra embellishments, check around for any fun and unusual materials you might have for the kids to work with like, glitter, ribbon, yarn, buttons, rhinestones, cotton, lace, brads, and so on. You’ll also want something to use as “stems” — like small wooden skewers that can be found in most grocery stores.

Begin by talking to your students about flowers and bouquets. Talk with them about Valentine’s Day as being a day traditionally reserved as a day to proclaim love for others, and tell them you have an idea for how they can participate in this. Tell your students that they will make their own “flowers” out of hearts using all of the fun materials you have provided for them, and that you will be gathering these special paper “flowers” that they make into bouquets that can then be given away. At this point it would be a good idea to have decided how you’re going to distribute their bouquets… will they be going to someone at your school such as your principal, or maybe to a local senior citizen’s center or hospital? In my experience, the students love knowing who the recipient(s) will be. I’ve also found that it’s important to ask them before they even begin, if they are ok with the idea of making their art specifically to give it away. They always are.  🙂

So using heart shapes as the basis for their “flower”, allow students the freedom to explore both cutting and tearing construction paper. They might want to use layers of heart shapes to create their flowers, as well as combine several different colors of paper. Once the foundation of the heart “flower” has been established, encourage your students to utilize the variety of decorative materials you have made available for their use. Once their “flowers” are complete, and have been allowed to dry if necessary, attach their “flower” to a stick or “stem”. You may also want to have them use crepe paper to wrap the stick and perhaps even make construction paper leaves.

When all of the “flowers” have been completed, stand them in a container such as a vase or flower pot. If desired, you could place a small ball of clay in the bottom of the container first to help the “flowers” stand. Lead your students to see that while each of their “flowers” are fantastic on their own, when grouped together, they become magnificent! Each individual “flower” makes an important contribution to the whole bouquet.

At this point, the bouquets are ready to be presented to the lucky recipients. For a meaningful language arts connection, students could be asked to write a brief note to the recipient(s) of their work. I did a project very similar to this one with my continuation high school art classes, and I’m telling you they worked harder and with more focus on this experience — that they knew was going to a local residential facility for senior citizens — than on anything we did before or after it. They encouraged each other to keep working so that every person at that facility would get something from them. It was touching and inspiring.

IMG_1435As we all start this bright new year full of fresh hopes and dreams, my wish for you is that 2013 is a year filled with art. Whether you make art yourself, teach art to your students, or appreciate the art of others, make the time to enjoy the pleasures that an art-filled life has to offer. I promise you won’t be disappointed. Happy New Year!

If you’d like to incorporate some art into your classroom but don’t know where to begin, check out the classes I offer here through Fresno Pacific University. My distance learning classes are affordable, convenient, and flexible.

IMG_1468Here’s a lesson idea that will create a fun, fresh, whimsical look for  your classroom or school this January. Consider the exciting possibility of having your students make REALLY BIG snow people and/or animals! There are lots of options for this lesson, from having your students make life-size snow people that they decorate to look like themselves, to having them create large snow people that they decorate to represent characters from literature or historical figures, or perhaps instead they make snow animals that represent real animals you might be studying in your classroom. You decide how “connected” to your curriculum you want this to be. No matter which way you go, you’re sure to get a wonderful cast of winter characters!

Materials are simple: white butcher paper, construction paper in a variety of colors, paper scraps, fabric and other miscellaneous materials you might have on hand such as cotton, glitter, twigs, wrapping paper, glue, tape, and scissors.

You will have pre-determined the “theme” of the snow people/animals for your class, so talk to your students about what they will be doing. (Obviously, everyone should be working on the same theme, i.e. all will be making themselves, or all will be making a favorite character from literature, etc.)

Talk with them about why tearing out the circles for their snow people (or animals) is a better approach than cutting out the circles. (Tearing produces a more “snow-like” texture.) Have them tear large ball-like shapes out of white butcher paper. To help ensure that all finished snow people are about the same size, it might be a good idea to have large, pre-cut squares to give to the children — each child getting a large, medium, and a small square. If they carefully tear so that they “touch” each side (or edge) of their square, their finished snow people (or animals) should end up being similarly sized. (They don’t have to be identical to each other, just similar. You don’t want one 6 inch tall snow person, and one that is 3 feet tall.) It would be a great idea to have several extra large, medium, and small squares cut out, just in case someone needs to start again. (Someone probably will… and that’s ok.)

Let me stop here and say that for some of you it might be tempting to make one of these yourself and then show it as a sample to your students. There is no need for you to do that. I would suggest instead, demonstrate what careful paper tearing looks like by beginning to tear a large circle out of one of the pre-cut squares like you will be asking them to do. Show them how to “touch” each side (or edge) of their square, using their whole paper. This is all they need to see — they DO NOT need to see a finished snow person or animal in order to make one themselves.

Once the basic snow people or animals have been established, have them cut or tear all of the features they want to use such as eyes, nose, mouth, glasses, braces, mustaches, etc. that will enhance the snow person’s identity. These should be glued to the snow person’s head. After the three graduated body parts have been glued or taped together, your students might want to add special decorations like a hat or scarf. Depending on the “theme” you’ve chosen, consider if any other “accessories” or items need to be created and added to further determine the snow person’s identity. Any “extra” materials you’ve gathered for the children to use will come in handy here, such as fabric, glitter, cotton, twigs, etc.

These large creations would look fantastic in your classroom, but don’t let a lack of display space stop you. Because they are so large, they make a wonderful display along a hallway, in the office, library, or cafeteria. If you’ve chosen a theme that connects with an area of your curriculum, perhaps a bit of writing by each student could be included about the character, historical figure or animal represented.

I’d love to see your display if you have your students make these. Please email photos to JGomasFaison@gmail.com with “Big Snow People” in the subject line. Enjoy!

IMG_1446Just in time for the new year, here’s a lesson idea that’s sure to delight you and your students! Called “Winter Village”, this lesson will create a wonderful group display while it reinforces the concept of geometric shapes.

The materials required are simple: construction paper in a variety of colors (whole sheets and scraps both work well), any drawing tools you have on hand (crayons, markers, color pencils), tape and/or glue sticks, and scissors.

Talk with your students about geometric shapes and tell them that they are each going to “build” their own home, cabin, or castle using just these shapes. Their buildings may be realistic or imaginary, but they must use geometric shapes to construct them. Consider having your students tape or glue their shapes down onto a background sheet of construction paper, which will enable their creations to “grow” with as many shapes as they want to use.

Together you can brainstorm a list of architectural details that make a building distinct, like windows, doors, shingles, addresses, steps, and shutters, as well as all of the different materials buildings can be made of such as bricks, cement, wood, metal, etc. Encourage your students to add these kinds of “textures” and details to their own dwellings using cut or torn paper, or any of the drawing tools you have supplied. For some extra fun, have each child place one of their school photos in one of the windows of their building!

An exciting way to display these once they are finished, is to cut away any background paper that is still showing, and then place all of their little houses on a “winter scene/landscape” bulletin board, thus creating a little winter village made up of all of your students’ buildings. They may want to add a few trees, street signs, and lamp posts around town to complete their village scene. A little torn paper “snow” on the roof tops would look fantastic too.

If you decide to create a winter village with your students, I’d love to see it! Please email photos to: JGomasFaison@gmail.com and please put “Winter Village” in the subject line.