IMG_1816In northern California where I live, May has arrived with an explosion of flowers. If this is true where you are too, why not take your students outside to enjoy some of nature’s splendor? Help your children really slow down and see the spectacular colors, the interesting textures, and the wide variety of shapes that spring flowers have to offer.

IMG_1819After some careful observation, consider giving them about 15 minutes or so to carefully draw what they see. Have them focus in on one small area. If your students already have sketchbooks, that’s great! If not, a sheet of plain while copy paper held on top of a book for support will work just fine. Don’t make it complicated… just don’t miss this opportunity to teach your students the simple joy of slowing down and really seeing the beauty of the world around them.

IMG_1820If winter-like weather is still in full swing where you live, bring a small potted flower or two into your classroom for your children to observe and draw. This small bit of color and cheer will help you all be patient as you look forward to warmer weather that should certainly arrive soon.

IMG_1809With graduation season upon us, and another school year drawing to a close, this is a great time to help students think about where they’ve been, where they are, and where they’re headed. The “My Life” pop-up book is a small, three-section book that invites students to think about significant events/people/places from their past and present, and to imagine their future. Breaking the book down into these three main time-frames will enable your students to more easily focus on significant details without being overwhelmed.

Here’s what you’ll need: Sheets of 9×12 inch construction paper in a variety of colors, construction paper scraps, scissors, tape, staples, glue, and markers. You might also want to include other materials such as brads, cotton, yarn, buttons, ribbon, string, fabric scraps, hole punches, and construction paper sheets larger than 9×12.

Each child will ultimately need 6 sheets of construction paper — 1 sheet for each of the three pop-up sections, and 1 “backing sheet” for each section. Because this book will consist of 3 separate sections, students may begin on any section they choose — past, present, or future. After all sections are complete, the book may be assembled in the correct order.

Begin by demonstrating how to make a simple pop-up tab. Fold one sheet of 9×12 inch construction paper in half, and make two parallel cuts along the folded edge for each pop-up tab you want to have, like this:

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After cutting, open your paper, and push the tabs you just cut to the “inside” of your folded paper. Close the folded paper with your tabs inside. When you open the folded paper back up, your tabs should stand up like this:

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Elements that will pop-up when the book is opened will be attached to the front of these “tabs”. Encourage your students to get fully involved in the surface decoration of each section of their book using construction paper scraps and any other materials that you have provided. For example, if their own birth is the significant event from their past that they want to represent, perhaps they will have a small crib as one pop-up element, with another being a large cut-out of the numbers for the year they were born. The “background” of the scene could be decorated like a wall in the baby’s room, and the “foreground” area decorated like the “floor” of that room. In other words, encourage the creation of entire settings or scenes to fully represent their significant event/place/person, etc.

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Depending on the age and ability levels of your students, a bit of writing for each section can be included to add depth and description to what they’ve created visually.

After a section is complete, a second sheet of construction paper should be folded in half and attached to the back of the section sheet like this:

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Once all three sections — and their backing sheets — are finished, the sections can be connected together using staples, double-sided tape, or glue. (Hint: you’ll need to be very patient if you use glue!) If you desire, you can have the students decorate the “cover” sheet of their book. For a more finished look, you can wrap a larger sheet of construction paper around the outside of all three sections of the book, and after attaching it, trim off any excess. (A 9×12 sheet won’t be large enough once you’ve connected all three sections of the book together.) This then can be decorated as the cover.

Not only will you learn a great deal about your students during this process, but they will love sharing the highlights of their lives with you and with their friends.

Interested in more fun art ideas like this one? Check out the affordable, self-paced, and convenient professional development art classes I teach through Fresno Pacific University here!

IMG_1778It’s never too early to encourage students to begin thinking about careers that interest them. This simple, yet powerful art experience called “Career Cubes” is a fun way to do just that, while incorporating critical thinking, writing and even a little research if you desire.

You will need the following materials: Light-weight cardboard — used file folders work great here, masking tape, construction paper scraps, scissors, glue, color pencils, crayons, and markers. Additionally, things like yarn or string, staplers, brads, and discard magazines could also be included.

Each child will need 6 light-weight cardboard squares. They can be any size, but I’ve found 4 inches by 4 inches to be a nice, workable surface. Depending on the age and ability level of your students, measuring and cutting out their 6 squares can be great math practice. You could also provide a template for tracing, or you could provide the squares to them already cut out. (The more carefully the squares are measured and cut, the better the resulting cube will fit together.)

The reason 6 individual squares are used, rather than a “cube pattern”, is that the separate squares provide a more challenging set of 6 individual compositions, and a more interesting approach to cube construction.

I would suggest deciding ahead of time what your expectations are for each side of the career cubes. (Your specific requirements for your students will vary greatly based upon the age and ability levels of your students, but even for the very young, I would be sure you have some sort of guidelines established for them.) For example, if your students are older, you might require the following: One side devoted to “naming” the career, three sides will be visual representations of that career, one side will be a written statement about why the student has chosen that career — or is interested in that career — and one side devoted to some basic research on the career such as schooling required, etc., for a total of six sides.

Before handing out the first square, encourage discussion and brainstorming about what types of careers your students are interested in. Talk with them about how different careers could be visually represented… for example, what sort of symbols might one make if they wanted to become an architect? A nurse? Make a list if you like of the many possibilities your students come up with. After you feel your students have been sufficiently motivated, concentrating on only one square at a time, have your students begin the process of surface decoration. Depending on your available art supplies, the squares could be decorated with a variety of materials, or you might limit them to just using cut and/or torn construction paper. The choice is yours. If you decide to require a written component, you might like students to write in their own best handwriting, or perhaps you’d like them to write and compose something on the computer that they can attach to one square. Depending on your schedule, you might have students work on this in one, uninterrupted block of time, or perhaps you might break the process into smaller, shorter work sessions. (Squares, along with bits and pieces, can be easily stored in ziplock bags while in progress.) Lots of options here to make this work for your students, your curricular objectives, and your time frame.

When all 6 sides of a student’s career cube are complete, the cube can be constructed. First, lay out four sides. Be sure to leave a small amount of space between squares to serve as a “hinge”, and tape with masking tape like this:

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IMG_1780Then attach the remaining two sides to the four you just taped like this:

IMG_1782Now bring all sides together to form a cube and tape securely.

IMG_1785Masking tape used neatly on the “outside” of the cube is fine and can become part of the surface decoration. Once complete, each student will have created a unique, concrete representation of his or her desired career choice. Career cubes are fun displayed individually on student desks, stacked up as a group, or can even be hung from the ceiling if you are clever. Your students will love not only making them, but looking at them as well!

IMG_1763I’m so excited to introduce something brand new on my blog! I’m calling them “Art Kits”, and it’s super easy to be entered into a drawing to win one.

Each Art Kit is valued at over $100.00, and includes everything you see in the photo above, as well as an easy to follow, step-by-step lesson plan and 50 sheets of white drawing paper — And it can be YOURS for FREE!

I’ll be giving away a kit exactly like the one you see pictured above, every three months for the next year — that’s four kits in all! This is called Art Kit #1: Observational Drawing: Sea Shells. In addition to all of the fun stuff you see in the photo, you’ll also get a step-by-step lesson plan that you can use in your classroom immediately. (No art experience on your part is required or necessary.)

Students of all ages will love looking through their magnifying glasses to see a detailed view of any one of the interesting shells included. The lesson plan will walk you through an easy to present lesson that will encourage your students to carefully observe a shell and then create an original drawing of what they see. Soft lead pencils and special erasers will help them get their drawings “just right”. They will be thrilled to then add color with chalk using the ordinary blending tools of cotton balls and Q-tips! In addition to the excitement of creating art, you’ll see lots of valuable curriculum connection possibilities for your students in science, math, and language arts.

Here’s how to win!

1) Register for one or more of the affordable, convenient, self-paced Professional Development Art Classes that I teach through Fresno Pacific University here. Each registration will earn you 6 Entries into the Art Kit drawing.

2) Refer a colleague who registers for one or more of my courses and you’ll earn another 6 Entries into the Art Kit drawing. (I must be notified via email of the name of the person who made the referral in order for them to be given their 6 entries for that referral.)

3) Comments on my blog or Facebook page will each earn 1 entry into the Art Kit drawing. (Only one comment per person, per day will count towards entry into the drawing.)

Registrations, referrals, and comments will earn entry into the Art Kit drawings based on the following time table:

April-May-June: Winner’s name drawn on July 1, 2013

July-August-September: Winner’s name drawn on October 1, 2013

October-Nov-Dec: Winner’s name drawn on January 1, 2014

January-February-March: Winner’s name drawn on April 1, 2014

As you can see above, I’m breaking the year into quarters with April-May-June being the first block of time for the first Art Kit drawing. So for example, all course registrations received, colleagues referred & registered, and comments made from April 1, 2013 until June 30, 2013 will be included, and I will draw the winning name on July 1, 2013. Then the process begins again for July-August-September and so on, until the fourth and final Art Kit winner is drawn on April 1, 2014.

So what are you waiting for? Head on over to Fresno Pacific University and register for one of my art classes! Then get a friend or colleague to do the same! While you’re on a roll, comment on any of my blog posts or head on over to my Facebook page and get typing! You can’t win one of these great kits if you don’t enter… so get going and get excited!

(If you’d like to purchase Art Kit #1: Observational Drawing: Sea Shells, please contact me via email for information at JGomasFaison@gmail.com)

OLYMPUS DIGITAL CAMERALooking for a unique and creative way to celebrate Earth Day with your students this year? Allow me to suggest Earth Day hats! (Pictured above is a basic, undecorated scored paper hat shown from the side/back.)

The idea here is to have each student in your class create a hat, and then decorate it using Earth Day as the theme. While the basic hat shapes will be the same, each child’s surface decoration will be distinct and unique, making each hat a personal statement about how that child feels about protecting and celebrating the earth.

You will need one sheet of 18X24 inch construction paper for each child in your class — color choice is up to you. You will also need a stapler, any type of glue, scissors, and lots and lots of discard materials for the students to choose from. This could be anything from a scrap paper box, to things like, ribbon, buttons, cotton balls, tooth picks, fabric, feathers, tissue paper, brads, yarn, pipe cleaners, glitter, etc. This art experience is the perfect time to use up a variety of random things you have on hand, and to recycle old things into something fresh, fun, and new!

To make a basic hat, just make one simple scored line in a half circle shape on the long side of a sheet of 18X24 inch construction paper. (See diagram below.) If you’ve never scored paper before, you will simply drag the pointy end of a pair of scissors — or even the tip of a paper clip that’s been bent open will do — gently across the paper. This “scored” line that you’ve just created will allow you to then fold the paper along this curved line. (Scoring as a technique is amazing! Once you start exploring it, you’ll be hooked!) Attach points A and B together with a staple, and you’re done. Super simple! (In the photo at the top of this post, you can see this stapled connection point at the back of the hat.) If you’re working with very young students, it might be a good idea to have the hats made ahead of time for them so that they are all ready to be decorated. Scoring takes a little bit of practice so as not to cut through the paper while you’re doing it, but after a few tries, you will learn what amount of pressure is just right.

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If Earth Day is going to be your theme for hat decoration, it might be a good idea to spend some time talking with your students about all of the different ways they could decorate their hats to show how they feel about protecting and celebrating the earth. They could cut out letters to include words on their hats, they could cut out, or tear out, and create symbols to place on their hats (think earth, sun, clouds, water, plants), they could add fun, three dimensional things to their hats such as paper streamers, ribbons, and more. (I would strongly suggest that you not use drawing materials such as markers, crayons, or pencils for hat decoration, as drawings tend to lack the excitement and involvement that other types of surface decoration provide.) Perhaps this brainstorming could be captured as a list that the students could refer back to while they work?

By this time, your students will be highly motivated to get started creating their hat masterpieces, so there is little left to do beyond getting their hats and materials distributed to them. They will have a blast making something that is such a personal statement, and the fact that they will be able to wear them when they’re complete just sweetens the deal. (I’m envisioning a photo op in here somewhere!) Have fun with this, and I’d love to hear how it goes if you decide to try it! (Pictured below is a basic, undecorated scored paper hat from the front.)

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IMG_0521Spring Break! That glorious time is upon us. As you look forward to spending some much deserved time relaxing and recharging… I have a suggestion for you.

What about getting a jump start on some Professional Development during your break?

Each one of my 3 unit Professional Development art classes is affordable, convenient, and self-paced. You can register any time — day or night — and within 48 hours you will have your materials. This means you can get started right away on some really fun art lessons that you’ll be able to work on at your leisure, whenever you feel like it. The lessons that make up each class are immediately teachable in your own classroom, so you’ll return to school after break with some fantastic art lessons that will be easy to integrate into the curriculum you’re already planning to teach.

Click here for details, syllabi, or to register. I can’t wait to “see” you in class!

DSC01110As a teacher of professional development art courses for the past 17 years, I’ve noticed one consistent truth: teachers are reluctant to teach art because they are afraid. Afraid that to effectively teach art, they must “perform” artistically in some way for their students. They repeatedly tell me things like, “I can’t draw” and “I’m not an artist”. My message to them is twofold. First of all, experience has shown me that everyone is creative to some degree — we all just have different levels of art experience and exposure. Secondly, and perhaps most importantly, a teacher doesn’t need to be a trained artist, or to be able to draw, in order to present successful, meaningful, and powerful art lessons in their classroom. In fact, I would argue that the most important thing a teacher needs to be when teaching art, is what I would call a “monitor/motivator”, and one of the most profound phrases in the motivator’s toolkit is, “take another look”.

Just as adults can be intimidated by art, so too are the students we teach. It’s no surprise that the higher up in grade level one looks, the more fear and trepidation one will see in the students. This is where the power of the “monitor/motivator” role comes in. By closely monitoring your students as they work on any given art experience, you will be able to support and motivate them as needed, helping to build their confidence. Actively move around the room offering constructive, encouraging words and comments while you closely look at what they are working to create. When students ask for help and want you to solve an art problem for them, resist the urge to do so and suggest that they “take another look”. Ask questions that will encourage their thinking and analysis of their own work, and of the problem at hand. This is critical thinking made manifest.

Because of a limited exposure to art among other things, students often think they are finished with an art making experience long before they really are. This is the crucial point where you can acknowledge what they’ve already accomplished by saying something like, “That’s a really great start!” and then offer the empowering questions, “What else can you do here? Take another look… what else can you explore?” This suggestion to “take another look” lets the student know that there is still more to see and to do, and that your expectation is that they will continue to search for it. You are challenging them to push past what might have been a quick, simple, and safe solution on their part, while letting them know that you have faith in their ability to go beyond it. As you consistently monitor and motivate your students during art experiences, you will see your students look to you for answers less and less, as they begin to trust themselves more and more.

As Maria Montessori once observed, “The children are now working as if I did not exist.” Helping your students develop into inquisitive, self-directed, life-long learners is possible, and connecting meaningful, authentic art experiences to your curriculum can foster this development. Please click here to see the affordable, convenient, and self-paced professional development art courses I teach through Fresno Pacific University. (* No art experience needed or required!)

OLYMPUS DIGITAL CAMERAWhether art is one of many subjects that you teach in your classroom, or you teach in a dedicated art room, organization of your art supplies is a must. And what better time to get organized than spring?!

As one who has taught in both a multiple subject classroom, and in a high school art room, keeping my art supplies organized has made every lesson I’ve taught easier. Whether I’m pulling supplies out in preparation for a lesson, or taking a quick inventory to see what I need to replenish, keeping things in order has really paid off. My sister — a professional organizer! — likes to encourage her clients to think of their spaces as big containers, and then to think of breaking down the things stored within those spaces into smaller containers. This has helped me tremendously over the years both at home and at school.

So let’s get down to business shall we? If your art supply organization is long overdue, I suggest you begin by pulling all of your art supplies out onto tables where you can see them. Gather like items together, such as all of your paint brushes, color pencils, crayons, and glue bottles. (As you do this, be sure to get rid of anything that is no longer usable.)

Once like supplies have been grouped together, I would suggest that you begin thinking about storage containers if you aren’t already using them. These don’t have to be anything fancy or new, just some sturdy containers that will hold your supplies. I also strongly encourage you to think about choosing containers that will serve “double duty” for you. For example, I use little stacking plastic drawers, 4 drawers to a “unit”. These can sit out or be placed in a cupboard, but the main thing is, they not only store things like crayons, color pencils, chalk and glue sticks, but they can also be carried to work tables and desks for the students to work out of. When the work session is over, the supplies go back in the drawers, and the drawers go back into the little “unit” that holds them. As simple as that. Again, nothing fancy or expensive, but highly functional. When smaller art supplies have been “containerized”, you can begin placing things back into cupboards and cabinets in any way that makes sense for you. The beauty of this time that you’ve invested is that now when you need glue, you know right where ALL of your glue is. Crayons? Just pull out some containers and you’re ready to go!

Here are a few other quick and easy storage tips that might work for you. Three coffee cans hold my paint brushes — handles down, brush tips up — roughly separated into small, medium and large sizes. I’ve also found that storing construction paper on edge vertically, makes it easy to pull out what I need, and put back what I don’t, without unstacking everything. (They look like very colorful little book spines.) If you place them in order (ROYGBIV: Red, orange, yellow, green, blue, indigo, violet) they look beautiful too! This type of construction paper “filing” also makes it easy to see when you are running low on a particular color. Having some sort of scrap paper box is also important for gathering up any usable bits of paper that are too big to be thrown away.

Scissors can present their own unique storage problems. When I taught first grade, our scissors were all kept one of the storage drawers mentioned above. Students knew where they were and took responsibility for getting them out and putting them away when they were finished with them. High school is a different situation. I needed them to be accessible to students, but I also needed to be able to account for every pair at the end of each class period. The solution was to hang the scissors up on nails. The students could easily get a pair if they needed one, and at the end of each class, I could glance at those nails from anywhere in the room and see if all of the scissors had been returned to their place. (The class was NOT excused to leave until all scissors were accounted for and my students knew it.) Very effective.

I’m a big fan of encouraging students’ independence, and the more organizational systems you establish and teach to your students, the more independent they can be. When materials need to be put away, everyone knows where things are supposed to go, and so everyone can help pitch in to get things picked up. For this reason, I would also suggest that you gather some all-purpose containers that can be used for different things during projects, but not necessarily be used for long term storage. For example, I would suggest 3 or 4 round, metal cake pans, and maybe a few rectangular pans as well. These are great when you need to set out things like cotton balls, beads, buttons, and brads for the students to use. During an art experience, my students are able to help themselves to whatever they need, and return items they don’t need for others to use. When the project is over, I then return those items to their long term storage, and the pans are ready to go for the next art experience. A few scotch tape dispensers, a stapler, and masking tape rolls tied to something are also a good idea. (Tying the masking tape rolls to something simply means they’re always where they’re supposed to be.) I also like to keep two stacked paper trays out and accessible for the students — one filled with blank, white copy paper, and another filled with newsprint paper. This is great for a variety of things including quick sketches and notes.

Finally, I’ve listed a few items that I’ve found to be invaluable over the years and that I always keep on hand for art experiences. Small paper cups can be purchased in bulk at restaurant supply stores and can be “pulled open” so that they almost lay flat and can be used as mini paint pallets, as well as a place to hold a small amount of glue. When left in cup form, they are great for holding small items such as beads and brads while students are working. Paper plates, plastic tubs for water, disposable gloves, baby wipes, paper towels, and old men’s shirts (to cover up when things get messy). If you do anything like papier mache, having a “dedicated” small plastic bucket (like one that might hold ice cream), a plastic ladle, and plastic plates are a great idea. The bucket can be used to mix your papier mache, and you can ladle it out onto plastic plates for students as they need it. Plates can then be thrown away at the end of the art experience.

Once you’ve invested a little time and energy getting your art supplies in order, you’ll discover how much easier and more fun it is to plan and then implement exciting, successful art lessons for your students. You may just find yourself connecting art to lots of lessons, because your spring cleaning and organizing has made it so much more convenient! If you have any tips you’d like to share, I’d love it if you’d join the conversation and leave a comment on this post.

IMG_1690Whether you include Easter images and symbols in your curriculum or not, this lesson can easily become a part of your spring art experiences. A few simple modifications in presentation and expectations will allow you to teach this as an “Easter Bunny”, or simply a fun, “Spring Bunny”. Either way, these large, torn paper bunnies will add a breath of fresh, spring air to your classroom decor, and your students will have a wonderfully creative time making them. Think your students are “too old” for this type of experience? Why not have them create bunnies for younger student buddies? (I’ve gotta say it… they’d be “Bunny Buddies”!) Or maybe they could make these and you’d donate them to a hospital or senior citizen center where I’m sure they’d be welcomed as decorations. Trust me — the “big kids” like to play too — you just need to spin it so they feel their sense of “coolness” is still intact! ;-)

Here’s what you’ll need: White construction paper or white drawing paper in fairly large sheets. (At least 12×18 inches.) Butcher paper will work too if that’s all you have on hand. Small scraps of pink, black, and gray construction paper. Paste, glue, glue sticks, or rubber cement — whatever adhesive you have on hand and like your students to use. Scissors.

Talk with your students about spring, rabbits, and Easter — if it’s appropriate and allowed in your classroom situation. Help them to see that by tearing the paper, a softer, more “bunny-like” quality in the edges is possible. Contrast this with cutting, which would produce a sharper, harder edge. You might slowly tear a random piece of paper, and then cut off another part of that paper to actually show students the difference. (Introduction or reinforcement of the vocabulary word “texture” is perfect here.) Demonstrate and emphasize the process of   c-a-r-e-f-u-l tearing, as opposed to ripping, to get the desired shape.

Have your students work on each part separately. For example, you might say, “Let’s first think about a head for our bunny. What do you think it would look like? Round? Square? Football shaped? Ok, now let’s all carefully tear out a head.” Next, ask them something like, “What do you think we need to add to make the head shape look more like a bunny?” (Ears.) Have them tear out two ears. Do they have to be the same shape and size? No. Can they be? Yes. Can one be floppy and one be straight? Yes. Encourage them to work large, and to explore ways to give their bunny individuality and personality. Continue with this approach for all of the remaining parts: neck, body, front legs, back legs, feet, and tail.

During this process I find I can avoid potential problems and frustrations by saying something like, “I’m not giving out prizes to the person who needs to keep starting over the most… but if you’d like to tear something out again, place the piece you don’t want in our scrap box, and get another piece of paper to try again.” This releases the pressure for them of, “OH NO! What if I don’t like what I make?!” They know they can try again and it’s not a big deal. Additionally, it lets them know that your expectation is that they won’t need to make every piece over again several times. I’ve had great success with this approach at all grade levels.

After all body parts have been made, tell the students not to paste or glue anything down yet, but first place all the parts where they think they’d like them to go on their desks so they can see what it will look like and they can make any changes they may want to make. Once satisfied, they can paste or glue everything together.

At this point, you can give the kids small scraps of pink, black, and grey paper as they might want to make eyes, noses, whiskers, insides of ears, etc. (Use scissors here if desired.) I would suggest waiting to glue all of this down just like before. Have the kids place everything where they want it first, and once they are satisfied with it, they can glue or paste these items in place.

If all goes as planned, you should end up with a spectacular variety of torn paper bunnies each with it’s own unique characteristics and personality. Should you have the time and inclination, enrich this art experience even more by adding a written language arts component by having students write a story about their bunny, and/or an oral language component by having students share their stores aloud or simply describe their bunny to classmates. A journal entry about the process would also be a worthwhile extension.

IMG_1688In my last post, I talked about the importance of having images available to your students for use as visual references when having the real thing in front of them just isn’t possible or practical. Today I’d like to help four lucky people get started on the creation of their own image files by giving away some beautiful National Audubon Society field guide books. (These books are brand new and cost about $20 each.) Each of these books is full of gorgeous, full color photographs that will make excellent reference images for any artist. Each book is focused on a different subject group — one for reptiles & amphibians, one for mammals, another entitled fishes, and finally one for insects & spiders. The pages measure about 3.5 X 7.5 inches, so if you tear them out as I suggested in my blog post, they will fit neatly into a file folder for easy retrieval and distribution later.

If you’d like to receive one of these spectacular National Aububon Society field guides, just leave a comment on this blog post. The first 4 people to leave me a comment by Wednesday, February 20, 2013, by 5 p.m. (PST) will each get one free book. (Subject of the books vary and cannot be specified by the recipient. One comment/entry per person, please.)

And teachers… don’t forget that spring break will be here before you know it. Plan your professional development now by checking out my affordable and convenient art courses offered through Fresno Pacific University. Registration is always open for these distance learning courses — you can view all of my course listings here. No art experience? No Problem! My courses were written specifically with YOU in mind! Imagine yourself completing the units you need on your schedule, from the comfort of your own home. I’d love to see you in class!

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